Our featured and new composers' music (fugues/canons only):
Baroque music
Six Preludes and Fugues op. 103 (1973-74)
MIDI
MIDI 1. Prelude and Fugue in D major
MIDI
MIDI 2. Prelude and Fugue in F major
MIDI
MIDI 3. Prelude and Fugue in g minor
MIDI
MIDI 4. Prelude and Fugue in e minor
MIDI
MIDI 5. Prelude and Fugue in d minor
MIDI
MIDI 6. Prelude and Fugue in E major
Additional MIDI MIDI Prelude and Fugue (2005)
By © Charles A. Gazzari. All right reserved.
Fugues:
MIDI Perpetual Motion Fuga, op. 52
MIDI Dance of the Majestic Porcine Fuga, op. 98
MIDI Postmortem Fuga, op. 99
By © Charles A. Gazzari. All right reserved.
MIDI Fuga for organ op. 45, Oasis
MIDI Fuga for organ op. 63, Resurrection
MIDI Fuga for organ op. 64, Reedmaster
By © Charles A. Gazzari. All right reserved.
MIDI Giga-Fuga for organ op. 100, Inexhaustible
MIDI Fuga for organ op. 101, Gothic
By © Charles A. Gazzari. All right reserved.
MIDI Baroque Sonata for oboe and strings, ~ 1st mov't (from op. 61)
MIDI Concert for viola and oboe, ~ 1st mov't (from op. 97)
By © Charles A. Gazzari. All right reserved.
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Ludwig Korelli is the nσme de guerre of Charles A. Gazzari. Birth on Buenos Aires (1942) from a family of Italian immigrants he took 5 years of piano lessons under Alma Melgar and 8 years under Vincenzo
Scaramuzza, even if efforts to become a concert pianist never panned out for various reasons.
Deeply intrigued about the music of J.S. Bach since earlier years Mr. Korelli began to improvise counterpoint at age 8 or 9 and write some polyphony at 14. In '65 he came into the US: in California he did much composing between
the years 1969 and 1980. At that point all musical efforts were abandoned and much disenchantment set in at his inability to bring producers, performers or conductors to view the possibilities of New-Baroque composition.
Ludwig Korelli
Resumed composing in 2001 and recorded some CDs under the banner Cloud Nine Music and Well-Tempered Gramophone, none of his records or CDs were sold.
By early 2004 he and his wife Barbara moved into a modest home near the beach at Ocean Shores, Washington State, which they call, sentimentally, Paradiso. Now semiretired on a Social Security pension, his composition of New or
Pseudo-Baroque counterpoint continues, and the compilation of some 100 fugal or otherwise contrapunctal opuses, including several concerti, is following due course. |