Types of MIDI's at kunstderfuge.com
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MIDI sequence {s} vs real performance {p} As sequences we mean files realised by the manual introduction of values (notes on/off, velocities, program changes...); differently, as a recording we indicate a (real) performance made when playing through a keyboard (or any other MIDI-compatible instrument) connected to a MIDI-compatible hard/software. Gabriel Fauré: • SAMPLE • Barcarolle in a minor, Op. 26 {s} Sequences by © Thomas Lefeldt
Recordings The best recordings at kunstderfuge.com are marked with this brown label:
Fryderyk Chopin: • SAMPLE • Nocturne in b flat minor, Op. 9 No. 1
Real performance by © Daisuke Inoue
Old recordings made on Piano Rolls and scanned into MIDI file These extraordinary documents are derived from scanning of the historical piano rolls recorded by the most relevant pianists of the XX c. (read more). All piano rolls at kunstderfuge.com are marked with the following yellow label:
Fryderyk Chopin: • SAMPLE • Etude in c sharp minor, Op. 10 No. 3
Ampico (?) (live) recording, piano: Alfred Cortot
MIDI sequences Aleksandr Scriabin: • SAMPLE • Etude in d sharp minor from the Etudes Op. 8 (1894) Sequence by © Thomas Lefeldt
(Edited or quantized) recordings On MIDI recordings the final result may be optimized though manual editing (first case) or automatic quantizing (second case).
Edited: Johann Sebastian Bach: • SAMPLE • Prelude and Fugue in B flat major, BWV 866 from the Well tempered Clavier, I book
Live and outstanding! by © Nausica Th. Classical
Quantized: Johann Sebastian Bach: • SAMPLE • Prelude and Fugue in B flat major, BWV 866 from the Well tempered Clavier, I book 12 channels played live [Werckmeister III temperament] by © John Sankey
Mixed -> MIDI recording into music-minus-one background
Some solo piano performances may be played into a music-minus-one background, which may be a pure sequence or a real performance.
Sergej Rachmaninov: • SAMPLE • 2-3. Intermezzo (Adagio), attacca: Finale (alla breve) from the Concerto for piano and orchestra No. 3 in d minor, Op. 30
Live and sequenced (super quality) by © Robert Finley |